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Gae Buckley’s production design, Natalie O’Brien’s costume design and Bryce Fortner’s cinematography all widen their scope as the student body accepts Stargirl as their good luck charm. When the pair begin their romantic relationship, and her musical performances integrate with the band and cheer squad’s, those instruments conjoin in a symphony. As Stargirl and Leo awkwardly converse, the score mirrors their interplay with a call and response-style arrangement. Composer Rob Simonsen assigns instrumental representations to the two leads in his score: an acoustic guitar for Stargirl and warm synth for Leo. Hart and her collaborators adeptly utilize the textural language of cinema to heighten and underline thematic ties. She makes this instantly known on her first day of class with her hippie-inspired name and colorful, ’90s-influenced garb, but also during lunch when she singles Leo out in the cafeteria to sing him “Happy Birthday.” Later, she crashes the football game to augment the cheerleading squad’s efforts with her acoustic cover of the Beach Boys’ “Be True To Your School.” While all these acts sound like social suicide - and might be seen as such in any other film - the pendulum swings in the opposite direction, garnering respect and popularity from classmates and townsfolk, as well as further attention from Leo, who’s seriously crushing on her. With her irrepressible personality, eccentric clothing and love of the ukulele, former home-schooler Stargirl Caraway ( Grace VanderWaal) stands out in a sea of sameness. The metaphorical connotation of their high school mascot - a mud frog, a creature who lies in wait until awoken by a drastic change - also reflects both Leo and the town’s journey once the titular character descends on the first day of school. His quiet adoptive hometown of Mica, Ariz., mirrors this philosophy, barely noticed by the world at large. Instead, he keeps his head down, gets decent grades, plays in the marching band and hides on the A/V squad with a few pals. That means no standing out by showing his true self - a person who loves dinosaurs, sports, kooky porcupine-themed ties, and the music of the Cars. Since the death of his father and a traumatic bullying incident, he’s felt that the key to surviving adolescence is fitting in without disrupting the norm. Sixteen-year-old Leo Borlock ( Graham Verchere) is about to realize there are no perks of being a wallflower. While it suffers from a rocky beginning with burdensome amounts of kook and quirk, the unfolding spell it subtly casts holds profundity and wisdom. Fortunately, that’s not the case with director Julia Hart’s “ Stargirl.” Adapted by Hart, Kristin Hahn and Jordan Horowitz from Jerry Spinelli’s novel of the same name, this tale of two teens falling in love and struggling to find balance in their polar opposite identities may prove difficult viewing for cynics or those with a low tolerance for the overtly saccharine. Maybe it’s the fault of “The Fault in Our Stars” that we assume, in the flourishing modern era of the young-adult genre, that one of the story’s romantic leads has to die in order to advance the dramatic stakes.